Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) ...(展开全部)

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) ...(展开全部)

When culture makes itself at home in motion, where does an anthropologist stand? In a follow-up to The Predicament of Culture, one of the defining books for anthropology in the last decade, James Clifford takes the proper measure: a moving picture of a world that doesn’t stand still, that reveals itself en route, in the airport lounge and the parking lot as much as in the marke...(展开全部)

哈佛大學歷史學博士，目前為美國加州大學聖塔克魯茲分校（University of California, Santa Cruz）意識歷史學系榮譽教授，並於2011年當選美國藝術與科學院院士（American Academy of Arts and Sciences），為當代文化反思論述之最重要學者，其跨學科觀點與批判包含人類學與民族誌、田野調查工作、原住民研究、藝術、歷史，博物館學，與文學分析。著有《個人與神話》、《文化的困境》、《路徑：20世紀後期的旅行與翻譯》（1997）、《復返：21世紀成為原住民》（2013）、《人類學邊緣》等書，同時與喬治．馬庫斯（George Marcus）編輯有《書寫文化》。

哈佛大學歷史學博士，目前為美國加州大學聖塔克魯茲分校（University of California, Santa Cruz）意識歷史學系榮譽教授，並於2011年當選美國藝術與科學院院士（American Academy of Arts and Sciences），為當代文化反思論述之最重要學者，其跨學科觀點與批判包含人類學與民族誌、田野調查工作、原住民研究、藝術、歷史，博物館學，與文學分析。著有《個人與神話》、《文化的困境》、《路徑：20世紀後期的旅行與翻譯》（1997）、《復返：21世紀成為原住民》（2013）、《人類學邊緣》等書，同時與喬治．馬庫斯（George Marcus）編輯有《書寫文化》。

When culture makes itself at home in motion, where does an anthropologist stand? In a follow-up to The Predicament of Culture, one of the defining books for anthropology in the last decade, James Clifford takes the proper measure: a moving picture of a world that doesn’t stand still, that reveals itself en route, in the airport lounge and the parking lot as much as in the marke...(展开全部)

迈克尔·苏立文 Michael Sullivan (1916 - )，牛津大学圣凯瑟琳学院荣誉退休院士，曾在伦敦大学、斯坦福大学、剑桥大学等多所高校和研究机构从事教学研究，荣获美国国家人文基金会、古根海姆基金会、洛克菲勒基金会等多所机构颁发的多项荣誉和研究基金。1940年代 来到中国，开始接触中国艺术，结识了庞薰琹、吴作人、丁聪、郁风、关山月、刘开渠等现代中国画家，此后又与几代中国艺术家和诸多艺术机构来往密切。毕生专注于中国艺术的研究和传播，是最早向西方介绍中国现代艺术的西方学者之一，并成为这一领域的国际权威和引领者。苏立文教授撰写有《20世纪中国艺术与艺术家》《艺术中国》《东西方艺术的交会》等多部深具影响力的专著。

迈克尔·苏立文 Michael Sullivan (1916 - )，牛津大学圣凯瑟琳学院荣誉退休院士，曾在伦敦大学、斯坦福大学、剑桥大学等多所高校和研究机构从事教学研究，荣获美国国家人文基金会、古根海姆基金会、洛克菲勒基金会等多所机构颁发的多项荣誉和研究基金。1940年代 来到中国，开始接触中国艺术，结识了庞薰琹、吴作人、丁聪、郁风、关山月、刘开渠等现代中国画家，此后又与几代中国艺术家和诸多艺术机构来往密切。毕生专注于中国艺术的研究和传播，是最早向西方介绍中国现代艺术的西方学者之一，并成为这一领域的国际权威和引领者。苏立文教授撰写有《20世纪中国艺术与艺术家》《艺术中国》《东西方艺术的交会》等多部深具影响力的专著。

This indispensable guide for students of both Chinese and women’s history synthesizes recent research on women in twentieth-century China. Written by a leading historian of China, it surveys more than 650 scholarly works, discussing Chinese women in the context of marriage, family, sexuality, labor, and national modernity. In the process, Hershatter offers keen analytic insight...(展开全部)

This indispensable guide for students of both Chinese and women’s history synthesizes recent research on women in twentieth-century China. Written by a leading historian of China, it surveys more than 650 scholarly works, discussing Chinese women in the context of marriage, family, sexuality, labor, and national modernity. In the process, Hershatter offers keen analytic insight...(展开全部)